While I'm glad I've read this, classic as it is, it was a bit of an endurance test.
The first half in particular was very repetitive, with overlong sentences, although definitely luxuriant prose. Perhaps because my own writing consists largely of technical stuff these days, where short simple sentences are the aim, I see wordiness as a weakness?
The second half was largely written to attack another writer who had stolen the characters to write a nominal sequel, making for an interesting (although not too deeply hidden) subtext. The close felt quite rushed after so much preceding material, but I was relieved to be at the end anyway.
The things floating by aren't what we want to see
2 months ago